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DTSTART;TZID=Europe/Copenhagen:20260513T153000
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SUMMARY:Protein Synthesis as Musical Structure – Thesis Concert
DESCRIPTION:AIR Lab presents Protein Synthesis as Musical Structure\, a thesis concert exploring how biology can shape live electronic music. The concert is centered on BioScape\, a design research artefact and biology audio workstation developed in the intersection of HCI\, artistic research\, musification\, and molecular biology. While earlier empirical work around the project has examined how biological actors may use music as a sensory and affective lens on their own field\, this concert turns the perspective around and explores the usefulness of biology as compositional logic for musicians. \nIn the performance\, biological structure is treated not as metaphor\, but as an organizing principle for live electronic music. Sequence-based relations shape rhythm\, harmonic movement\, and larger musical form\, producing patterns that remain coherent while resisting familiar periodic stability. The concert asks what it means to compose and perform through an external biological logic\, and how improvising musicians respond to a structure that is internally consistent yet unfamiliar in its temporal and harmonic behavior. \nThe performance features Thor Madsen (guitar)\, Malthe Beck (tenor saxophone)\, Steen Rock (electronics)\, and Tao Højgaard\, designer of BioScape. \nEVENT ORGANIZER\nTao Højgaard
URL:https://airlab.itu.dk/event/protein-synthesis-as-musical-structure-thesis-concert/
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DTSTART;TZID=Europe/Copenhagen:20260612T153000
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SUMMARY:AIR Lab Listen Up! Session #6: A Participatory Concert with Tara Pattenden (AU)
DESCRIPTION:Air Lab Listen Up! Session #6 is here\, and this time the australian artist and researcher Tara Pattenden will present a participatory concert with malleable wearable electronic instruments developed through her work as an artist\, instrument maker\, and performer. The concert invites audiences into a tactile and exploratory sound environment\, where soft circuitry\, deformable interfaces\, and wearable instruments become tools for improvisational play and shared sound-making.\nPattenden’s practice explores the relationship between materiality\, agency\, and participation. Her instruments reduce familiar technological signifiers and instead foreground touch\, texture\, shape\, and bodily interaction. In doing so\, they open a space where sound performance is shaped through direct material engagement\, collaborative expression\, and the shifting relations between performer\, audience\, instrument\, and sound.\nTara Pattenden is an artist\, instrument maker\, noise performer\, and PhD candidate at the Queensland Conservatorium\, Griffith University. Her work builds on two decades of practice in interactive arts\, experimental sound\, wearable electronics\, and participatory performance. She is also the founder of Cyber Bunker\, an artist-run not-for-profit supporting electronic and experimental arts in Magandjin/Brisbane\, Australia. \nEVENT ORGANIZERS(S)\nDoga Cavdir \nDATE AND TIME\nJune 12th 15:30 – 17:00
URL:https://airlab.itu.dk/event/air-lab-listen-up-session-6-a-participatory-concert-with-tara-pattenden-au/
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